大名二中打死人视频:Harry Potter and the Goblet of Fire (film review)

剧情简介：

In his fourth year at Hogwarts, Harry (Daniel Radcliffe) faces his greatest challenges and dangers yet. When he is selected under mysterious circumstances as a contestant in the Triwizard Tournament, Harry must compete against the best young wizards from schools all over Europe. But as he prepares, signs begin to point to the return of Lord Voldemort. Before long, Harry is playing not just for the Cup, but for his life.

影评

第一篇

British director Mike Newell's tough-minded take on the Potter mythos lacks the playfulness that Alfonso Cuaron brought to Azkaban, but it certainly moves at a hell of a clip. The story? Oh, you know: teenage wizard and his friends save the world from evil, yet again. This time Harry has to contend with a resurrected Voldemort, survive the dangerous Tri-Wizard tournament and control his own raging hormones.

Goblet of Fire marks the point when JK Rowling stopped writing mere books and started creating tomes. Some doubted that Newell could cram the 630 pages of Potter IV into a single film. He's managed it, thanks to judicious cutting - no Dursleys, no house elves - but even at 157 minutes, it's a tight fit. Goblet Of Fire is relentlessly crammed with incident; you're never more than a minute away from a fight, a spell, or a monster. The downside is that the story feels rushed, and quieter scenes are given little room to breathe in the headlong tumble towards the next set piece.

"SOMBRE AUTUMNAL TONES"

Thankfully, the wow factor is high enough to compensate. The special effects, from a thrilling Quidditch World Cup to Voldemort's twitchy nostrils, are first rate, and Newell shoots in sombre autumnal tones that give the story a melancholy feel in spite of the choppy editing. Performances are generally functional rather than inspired, but Brendan Gleeson's Mad Eye Moody practically leaps off the screen, and Ralph Fiennes makes a deeply creepy Dark Lord. In short, it's a focussed, efficient film that lacks charm but gets the job done.

第二篇

THE golden age of innocence at Hogwarts is over. Puberty has sunk its claws into Harry Potter and sexual jealousy haunts his friends.

The 14-year-old hero has sprouted from a bespectacled geek into a shameless poster boy. And his loyal chums — Ron (Rupert Grint), and Hermione (Emma Watson) — have followed suit. Adolescence is Harry’s new foe. And it brings the kind of challenges that most parents hate. The young wizards are much more comfortable wearing grungy jeans than capes; and their tastes run to muddy Glastonbury rather than tea and cakes.

The hairstyles are longer and the teenage hormones ping off the walls like snooker balls. The irony is that our valiant trio are more terrified of securing a date for the Yule Ball at Hogwarts than they are tackling the latest dastardly threat to their potty lifestyle.

It seems like only yesterday when the three wizardy sprigs were battling giant spiders and cracking deadly conspiracies in the girls’ toilets. That knowing comedy keeps this episode sharp. Mike Newell, a self- confessed “computer generated image” novice, is the first British director to pick up the baton in the Potter franchise. His considerable triumph is to keep the thrills up to exhilarating scratch. One of the perennial joys of J. K. Rowling’s addictive series is the ability to generate ever spookier shades of evil. Here, the fear comes in the shape of scary dragons, a poisonous vision of Lord Voldemort. Ralph Fiennes’ whispy ghost is an ice age chillier than the previous incumbents.

The plot hinges on a famous Tri-Wizard Tournament. It’s an international wand-flexing competition starring the shapely girls from France, the Beauxbatons; and the butch Durmstrangs from Bulgaria.

What’s fresh about the Goblet of Fire is the intriguing tension between the feeble and the strong. This has always been Rowling’s tug of war. The playground duels between Harry and his peers are as bitter as ever, but there’s a delicious sense of anarchy about boarding school life. For the first time we sense what makes Harry tick under pressure.

There are plenty of old familiar staples for fans: the unsporting cut-and-thrust of a Quidditch World Cup; a maze that stretches for ever; and a mission impossible at the bottom of a lake.

The Dursleys are sadly missing. But one can’t have everything. The red-herrings are worth hanging on a wall. Brendan Gleeson’s Mad-Eye Moody is the latest loose cannon on the staff. It’s impossible to fault the shades; I’d like to bid for the marble eyeball.

haven't seen it yet

已经出了,你应该可以租到,网上也有下载的.

哈里波特与火焰杯

It's interesting

可以下看了 BT